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Vasiliki Sifostratoudaki

Greek

First Language(s): Greek
Second Language(s): English

Bio

Vasiliki Sifostratoudaki is a visual artist and educator whose practice explores curiosity through spatial and performative interventions. Drawing from anthropology, architecture, and philosophy, she creates event clusters that merge fluid materialities, poetic improvisations, and collective gestures. She is the founder and curator of Yellow Brick and a member of Mouries Collective.

Q&A

What was your favorite book as a child?

How to choose a book? Can I choose a feeling? I loved reading. I had phases where I got to know the authors, as I called them. Not literally, but through the sense of reading more and more of their work. Each book felt like entering a space, a place.

I remember my Shakespeare summer as a young teenager, when the language suddenly became rhythmic and musical. My father, a typographer, gave me access to books from a very early age — I read them, but also watched how they were made.

As a child, I still remember the incredible thrill of finishing the stories of The Famous Five all in a single week.

What was the original reason or motivation why you started writing creatively?

I always wrote in my notebooks — not diaries, but fragments of what I saw, what I felt, what I experienced, where I was.

Later, I was encouraged to write during my studies and invited into writing by artists and poets I admired. Those moments revealed that writing could give meaning to the everyday, even in the most unexpected situations.

What was the most adventurous or thrilling thing you ever did/experienced?

Watching the night sky on an empty beach, swimming with the fish, a deer in the mountains or a fox in the city — I froze when I realized we were there, wishing it would last a little longer.

Meeting and mirroring a sea turtle, the smiles of loved ones and strangers, the surprise in the eyes of an unexpected kind gesture.

I’m not sure how to define adventure or thrill, but I often feel it intensely in tiny everyday encounters, both human and non-human.

Do you listen to music while reading or writing?

No, not really. I usually prefer silence, or the surrounding sounds of where I am to accompany me.

Contributions

Poetry
Still & Μωβ
Issue Fall '25

Supported by:

Land Steiermark: Kultur, Europa, Außenbeziehungen
Stadt Graz