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Sarp Sozdinler

Turkish

First Language(s): Turkish
Second Language(s): English

Bio

Sarp Sozdinler has been published in Electric Literature, Kenyon Review, Masters Review, Fractured Lit, Hobart, Vestal Review, Flash Frog, and Maudlin House, among other journals. Their stories have been selected or nominated for such anthologies as the Pushcart Prize, Best Small Fictions, and Wigleaf Top 50. They currently are at work on their first novel in Philadelphia and Amsterdam.

Q&A

What was your favorite book as a child?

Any book in the children’s book series The Knickerbocker Gang by the Austrian writer Thomas Brezina. I’ve tried, but I don’t think I can stand one out.

What was the original reason or motivation why you started writing creatively?

Frankly, I cannot remember that far back, but for as long as I’ve known myself I wrote things on paper, mostly using my grandfather’s Olivetti-brand typewriter, which hurt my fingers as a kid. They were mostly outlines for made-up movies in my mind, which were in truth rip-offs of whatever I’d recently seen. Then there was a gap between that period of my life and my late twenties, which was when I took on writing again, this time as an adult. I had been working as a graphic designer by then and was profoundly dissatisfied with working for third parties and catering for their needs instead of creating for myself. In a sense, writing has been a way for me to connect with what I’d loved doing when I was a kid.

What was the most adventurous or thrilling thing you ever did/experienced?

I’m intrinsically a very boring person. I don’t try adventurous things at all, feeling too afraid to tempt fate. But I can certainly recall an incident from my time as an exchange student in Vienna where I accidentally managed to got myself locked in a cemetery for a night (I didn’t know they close at 5 pm in the whole of Austria!) and tried to get ahold of someone who could help me until I was escorted out nearing the morning.

Do you listen to music while reading or writing?

No, not really. I like to spend my time very still and quiet like a monk, to be buried in my thoughts. I know some writer friends who enjoy ambient cafeteria chatter, even a fake one, but that sadly doesn’t work for me. And in a broader sense, I’m very sensitive with even the smallest of sounds in my personal life, from chewing sounds to foot tapping, to an extent where I could self-diagnose myself with misophonia (or should I more accurately call it misanthropy?).

Contributions

Poetry
False Positives
Issue Fall '25

Supported by:

Land Steiermark: Kultur, Europa, Außenbeziehungen
Stadt Graz