Nigerian
First Language(s): Yoruba
Second Language(s):
English
Jesimiel Williams is a writer and poet from Lagos, Nigeria, whose work delves into life, emotions, and nostalgia in modern African tales. His work has been published in Brittle Paper and Ake Review, and was a finalist for the Gently Rippling Waves Prize 2024.
What was your favorite book as a child?
There were a lot of books I enjoyed as a child, however, two of my early favorites included Enid Blyton’s Wishing Chair and Tim Lahaye’s Left Behind book series. Later on in my childhood, I began to delve into African Literature with Chinua Achebe’s Arrow of God and Chimamanda Adichie’s Purple Hibiscus. I like to think much of my writing style was developed from their work as early inspiration.
Do you remember the original reason or motivation why you started writing creatively?
As a child, I would dream very vividly and often wanted to be able to tell stories of the things that had taken place while I slept. As I grew older and navigated through life, I faced many events that contributed to a complex persona and emotions, and writing eventually became a form of catharsis and introspection into my understanding of these feelings and emotions.
What was the most adventurous or thrilling thing you ever did/experienced?
For a short period, I moved from my home city in Lagos to the city of Ibadan for a few months. That became the most adventurous period of my life as I found myself in new spaces, meeting new people, and tackling challenges I had never imagined before then, because now I was all on my own in a new city.
Do you listen to music while reading or writing?
While writing yes, I listen to a lot of music. Many times before I write, I identify an emotion I hope to evoke through my words, and sometimes listening to music that explores similar themes helps me get into the headspace of the planned emotion. Artists like Kendrick Lamar, Aurora, J Cole, Tame Impala, and SZA are often in rotation while I write. While reading? Not so much.
Poetry
Unanswered Prayers
Issue Spring '25
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